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GX3-PB Angle BAN
  • Separate Producers Box
  • Connects via a 25way d cable
  • Listen and talk to the mixers 1st 10 channels

Connection
The producer's box connects to the desk via D25 connectors (on both producers box and the mixer) of which a 1.5 metre ‘D’ cable is provided with the producers box. This supplies all the audio and the power to operate the producers box.

Monitoring
The producer can listen to two main sources, the main mono output mix and the cue feed which has individual volume controls for each.

Listen
The producer can listen to the first 10 inputs of the mixer which all have individual volume controls and can be turned off via toggle switches. When switched on, the audio will only be present in the left ear.

Headphone Feeds
The producer can talk individually into the headphone feeds of the first 10 channels of the mixer by pressing the momentary button for each channel. This routs the producers mic into the right ear of the headphone feed of the channel being talked to.

Programme and Cue
The mic input has a 3 position gain switch and an A/B gauge headphone jack on the front panel. The two main sources (programme and the cue) have their own volume control and are only present in the right ear.

Headphone Output
The headphone 1/4 inch A/B Gauge Switchcraft jack located at the front of the box.

Producers Mic Input
The producers microphone input uses a balanced XLR and has a toggle switch to select 3 different gain levels including one which has 12V phantom power available.

GENERAL SPECIFICATIONS
HEIGHT 150mm 
WIDTH 150mm x 30mm per channel
DEPTH (Excluding Connectors) 380mm

MAINS CONSUMPTION
FOR A TYPICAL 10 MONO CHANNEL, 2 STEREO CHANNEL, 240V, CURRENT = 148mA, WATTS = 20W
WITH COMPRESSORS, STEREO PPM, MON PPM, AND HEADPHONE MODULE 110V, CURRENT = 245mA, WATTS = 20W
12V, CURRENT = 1.4A
48V, PHANTOM POWER 5.68mA

MONO MIC CHANNEL
GAIN -70dB TO +10dB
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.15% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-53dB @ MAX GAIN (22Hz-22KHz)
NOISE ON CHANNEL @ MAX GAIN >-55dB (22Hz - 22KHz)

STEREO LINE CHANNEL
GAIN -10dB TO +10dB
FREQUENCY RESPONSE 25Hz TO 20KHz (-2Db)
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-75dB (22Hz - 22KHz)

CHANNEL EQ +-12dB CUT/BOOST @ 1K6 - 3K2 WITH AN AVERAGE Q

CHANNEL MEASUREMENTS

MAX INPUT GAIN BEFORE CLIPPING
MIC INPUT -24dB
LINE INPUT +16dB
MAX OUTPUT +25dB

A/B OUTPUT
CROSS TALK 
1KHZ TONE FADER @ 0dB >-61dB (22HZ - 22KHZ) 
NOISE ON CHANNEL AT LINE UP >-67dB (22HZ - 22KHZ) 
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

LSA LSB
GAIN 30dB
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-63dB (22Hz - 22KHz)

MONO OUTPUT
NOISE ON CHANNEL AT LINE UP >60dB (22HZ - 22KHZ) 
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

AUX OUTPUT
NOISE ON CHANNEL AT LINE UP >-61dB (22HZ - 22KHZ) 
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

OPS HEADPHONES
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.09% (100Hz, 1KHz, 10KHz)
NOISE ON CHANNEL AT LINE UP >-55dB (22HZ - 22KHZ)

COMMS HEADPHONES
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.06% (100Hz, 1KHz, 10KHz)
NOISE ON CHANNEL AT LINE UP >-56dB (22HZ - 22KHZ) 
ALL HEADPHONES OUTPUTS ARE WIRED LEFT EAR PHASE 
RIGHT EAR PHASE REV

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