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GX3 STEREO front BAN GX3 STEREO rear BAN
  • Zero dB balanced input on XLRs
  • -10 dB unbalanced input on phono connectors
  • Gain control (+/- 10dB)
  • PFL
  • Aux Send (Pre or Post Fader)
  • 60 or 100mm Faders
  • Penny & Giles Fader Option
  • Faders hold 10dB

FRONT OF MODULE

Gain Control
The module gain control has a range of -10bB to +30dB using a standard rotary pot for adjustments. 


Aux Fader
The Aux fader routes the channel output to the aux mix (mono mix). The fader can be set via the toggle switch to be post master fader or pre master fader.


Stereo/Pan Centre Control
This is a switched balance control, if set to the stereo position, sources are routed unchanged to the main stereo mix. If set to the pan centre position, both left and right inputs appear equally in both left and right outputs.


Pre Fade Listen
This allows the engineer to listen to the modules audio levels before the fader takes effect. This can be useful when setting the input gain levels.

Faders

Faders can be either 60 or 100mm and comes with a Penny & Giles option. All input faders hold 10dB.

REAR OF MODULE
Audio Inputs
Selectable using the toggle switch.
XLR:  0dB balanced input on stereo XLRs.
Phono Connectors:  -16dB unbalanced input on phono connectors.

GENERAL SPECIFICATIONS
HEIGHT 150mm
WIDTH 150mm x 30mm per channel
DEPTH (Excluding Connectors) 380mm

MAINS CONSUMPTION
FOR A TYPICAL 10 MONO CHANNEL, 2 STEREO CHANNEL, 240V, CURRENT = 148mA, WATTS = 20W
WITH COMPRESSORS, STEREO PPM, MON PPM, AND HEADPHONE MODULE 110V, CURRENT = 245mA, WATTS = 20W
12V, CURRENT = 1.4A
48V, PHANTOM POWER 5.68mA

MONO MIC CHANNEL
GAIN -70dB TO +10dB
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.15% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-53dB @ MAX GAIN (22Hz-22KHz)
NOISE ON CHANNEL @ MAX GAIN >-55dB (22Hz - 22KHz)

STEREO LINE CHANNEL
GAIN -10dB TO +10dB
FREQUENCY RESPONSE 25Hz TO 20KHz (-2Db)
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-75dB (22Hz - 22KHz)

CHANNEL EQ +-12dB CUT/BOOST @ 1K6 - 3K2 WITH AN AVERAGE Q

CHANNEL MEASUREMENTS

MAX INPUT GAIN BEFORE CLIPPING
MIC INPUT -24dB
LINE INPUT +16dB
MAX OUTPUT +25dB

A/B OUTPUT
CROSS TALK
1KHZ TONE FADER @ 0dB >-61dB (22HZ - 22KHZ)
NOISE ON CHANNEL AT LINE UP >-67dB (22HZ - 22KHZ)
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

LSA LSB
GAIN 30dB
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)
NOISE @ LINE UP >-63dB (22Hz - 22KHz)

MONO OUTPUT
NOISE ON CHANNEL AT LINE UP >60dB (22HZ - 22KHZ)
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

AUX OUTPUT
NOISE ON CHANNEL AT LINE UP >-61dB (22HZ - 22KHZ)
DISTORTION @ +8dB >0.02% (100Hz, 1KHz, 10KHz)

OPS HEADPHONES
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.09% (100Hz, 1KHz, 10KHz)
NOISE ON CHANNEL AT LINE UP >-55dB (22HZ - 22KHZ)

COMMS HEADPHONES
FREQUENCY RESPONSE 25Hz TO 20KHz (-1dB)
DISTORTION @ +8dB >0.06% (100Hz, 1KHz, 10KHz)
NOISE ON CHANNEL AT LINE UP >-56dB (22HZ - 22KHZ)
ALL HEADPHONES OUTPUTS ARE WIRED LEFT EAR PHASE
RIGHT EAR PHASE REV

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